Music

Graduate-Level Theoretical Analysis

Nine questions demanding deep knowledge of complex harmonic functions, large-scale form, and 20th-century analytical techniques.

#counterpoint#advanced-theory#tonal-harmony#set-theory#formal-analysis

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Total Questions

Difficulty Level

hard

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Quiz Questions

Answer all questions below and test your knowledge.

1
In Schenkerian analysis, what does the term 'Urlinie' specifically refer to?
Question 1
2
According to the theories of Heinrich Schenker, which intervalic progression forms the bass line of the fundamental structure (Ursatz)?
Question 2
3
In a sonata form movement, which section is primarily responsible for destabilizing the tonic key established in the exposition and exploring harmonic conflict?
Question 3
4
In the context of post-tonal music analysis using pitch-class set theory, what does the prime form [0,1,4] represent?
Question 4
5
A chord progression that moves from a secondary dominant (e.g., V/V) directly to a chord other than its expected tonic (its own V) is an example of what?
Question 5
6
Which contrapuntal technique involves the immediate repetition of a melodic line in another voice at a different pitch level, beginning before the initial statement is complete?
Question 6
7
In a piece using non-functional, planing harmony where all voices move in parallel motion, which fundamental principle of traditional voice-leading is most systematically violated?
Question 7
8
Which term accurately describes a rondo form with a structure of A-B-A-C-A-B-A?
Question 8
9
In Riemannian harmonic function theory, the 'Subdominant parallel' (sP) of C major is which chord?
Question 9

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Graduate-Level Theoretical Analysis

Quiz Intelligence

Quiz Questions

In Schenkerian analysis, what does the term 'Urlinie' specifically refer to?

According to the theories of Heinrich Schenker, which intervalic progression forms the bass line of the fundamental structure (Ursatz)?

In a sonata form movement, which section is primarily responsible for destabilizing the tonic key established in the exposition and exploring harmonic conflict?

In the context of post-tonal music analysis using pitch-class set theory, what does the prime form [0,1,4] represent?

A chord progression that moves from a secondary dominant (e.g., V/V) directly to a chord other than its expected tonic (its own V) is an example of what?

Which contrapuntal technique involves the immediate repetition of a melodic line in another voice at a different pitch level, beginning before the initial statement is complete?

In a piece using non-functional, planing harmony where all voices move in parallel motion, which fundamental principle of traditional voice-leading is most systematically violated?

Which term accurately describes a rondo form with a structure of A-B-A-C-A-B-A?

In Riemannian harmonic function theory, the 'Subdominant parallel' (sP) of C major is which chord?

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